Beyond the course of reasonable events that usually play out in fiction, the theater or film lies a dream world. It is where the most illogical things happen, a combination of fantasy and transport into a world where the mind is tested out of its incredulity. It is here that the mind can keep in touch with the subconscious and how it often combines many things thought to be impossible or unlikely.
Surreal elements have been long used for theater and other arts, but the term was only truly defined maybe a century before. Since then, writers, painters and other artists left of dream and fantasy or even the supernatural and making crazy characters that fit these elements. However surrealism or surreal comedies were there always, simply waiting to be identified and defined.
This is not something to wonder about, since this is a very familiar thing to much of human experience. Folks, from paupers to kings, have had their share of dreams, whether weird or close to reality, often seeing them as messages from divine sources. Modern studies have identified them as things of the subconscious, visions seen in sleep, when the subconscious mind awakes.
Often, the surreal element is combined with humor, because illogical things can seem very funny. That is why so many surrealist works are accepted within the discipline of comedy. There is also a school for surrealists, but its heyday was some decades ago, when artists really explored its depths and parameters.
There are always times when the art can work well with the discipline of comedy. The surrealist school has had great success but its heyday has passed, and it was an exciting time for artists trawling the depths of the unconscious. Thus surrealism has made itself very welcome in the many disciplines that make use of it.
The unpredictability of the scenes often illicit laughter, the kind that bursts out of nowhere to surprise an audience. It is laughter of the gestalt kind, lying unseen in the unconscious, in the innermost fantasies of men and the world. The comedies often have use for these, because the connection can make them work better than is usual.
This connection, however, is tenuous at best, since it can easily dissolve within the so called real world. That is why comedies of this kind exist are highly appreciated when and when they appear. These are things that are not usually found in the mainstream but sometimes some work can break through and become a popular hit.
The animation field, too, is one place where surreal humor shines. It is because the place does not need to conform with reason to have the human mind understand the experience. Animation has captured the world, and is in fact an established genre that is very popular, but its surrealist reality can often be ignored, because they are cartoons where anything can happen.
Creative people in this discipline thus are adepts in recreating the subconscious into a believable whole, so that entire stories are made with start, middle and endings. This will not be about creating weird things or twisting reality for its sake. In fact, there is subterranean reality to all these, usually found within the fantastic or dream realms.
Surreal elements have been long used for theater and other arts, but the term was only truly defined maybe a century before. Since then, writers, painters and other artists left of dream and fantasy or even the supernatural and making crazy characters that fit these elements. However surrealism or surreal comedies were there always, simply waiting to be identified and defined.
This is not something to wonder about, since this is a very familiar thing to much of human experience. Folks, from paupers to kings, have had their share of dreams, whether weird or close to reality, often seeing them as messages from divine sources. Modern studies have identified them as things of the subconscious, visions seen in sleep, when the subconscious mind awakes.
Often, the surreal element is combined with humor, because illogical things can seem very funny. That is why so many surrealist works are accepted within the discipline of comedy. There is also a school for surrealists, but its heyday was some decades ago, when artists really explored its depths and parameters.
There are always times when the art can work well with the discipline of comedy. The surrealist school has had great success but its heyday has passed, and it was an exciting time for artists trawling the depths of the unconscious. Thus surrealism has made itself very welcome in the many disciplines that make use of it.
The unpredictability of the scenes often illicit laughter, the kind that bursts out of nowhere to surprise an audience. It is laughter of the gestalt kind, lying unseen in the unconscious, in the innermost fantasies of men and the world. The comedies often have use for these, because the connection can make them work better than is usual.
This connection, however, is tenuous at best, since it can easily dissolve within the so called real world. That is why comedies of this kind exist are highly appreciated when and when they appear. These are things that are not usually found in the mainstream but sometimes some work can break through and become a popular hit.
The animation field, too, is one place where surreal humor shines. It is because the place does not need to conform with reason to have the human mind understand the experience. Animation has captured the world, and is in fact an established genre that is very popular, but its surrealist reality can often be ignored, because they are cartoons where anything can happen.
Creative people in this discipline thus are adepts in recreating the subconscious into a believable whole, so that entire stories are made with start, middle and endings. This will not be about creating weird things or twisting reality for its sake. In fact, there is subterranean reality to all these, usually found within the fantastic or dream realms.
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