When people retire a lot of them try new things, and painting and drawing are among the favorites. If you want to start painting, but lack any formal training, the idea might seem intimidating. You could take some classes, or you could try out some of the tips on composition and art design Piney Flats TN seniors have learned to use.
There is no one way to paint a picture. That is the beauty of art. You should never feel like you are doing something wrong. There are ways to improve composition however, and taking control of the viewer's eye is something to strive for. Art can provoke, disturb, inform, please, and make political statements. It's all in the way you handle shape, tone and color.
The Golden Ratio was inspired by the ancient Greeks' experimentation with ideal proportion. Whether it was math, science, politics, physical appearance, or art, they strove for perfection. The ratio that resulted, 1:1.62, was considered the perfect rectangle. Try checking the dimensions of your library book or credit card, and you will see we still adhere to these measurements. If you try using the formula, you might be surprised at how well it works.
Another standard of composition is the rule of thirds. This is a concept that works extremely well, and is easy to try. You just divide your canvas into thirds, both horizontally and vertically. Place your main elements along the lines or at the juncture of two lines. This creates a strong design that tells the eye exactly where to go. It can become formulaic however, if you aren't careful.
Controlling how the viewer sees your painting will make your message more powerful. One of the easiest ways to do this is with the use of implied lines. These aren't outlines necessarily, but the contrast of color that pulls the eye up, down, or sideways until it meets another line that is equally strong. The better you get at this, the more powerful your paintings will become.
Contrast is another effective way to control the way a viewer interacts with your subject matter. It is called by many names, and artists have become revered by their mastery of the technique. In its simplest form, you put one color such as black against another, at the other end of the color spectrum, such as white, and the eye will automatically go to the white. You should try using this technique at your painting's focal point and see how well it works.
A common mistake amateur painters make is to place every element either vertically or horizontally. This is probably the easiest way to put a subject on canvas, but it's not always the most interesting. It is okay to set an element off balance in your work. It creates movement and drama. You can try doing it both ways and see which works best.
If you have plenty of time to indulge your new hobby, you should try out all kinds of compositional strategies. Some will work for you and others won't. It doesn't really matter if you are satisfied with the results.
There is no one way to paint a picture. That is the beauty of art. You should never feel like you are doing something wrong. There are ways to improve composition however, and taking control of the viewer's eye is something to strive for. Art can provoke, disturb, inform, please, and make political statements. It's all in the way you handle shape, tone and color.
The Golden Ratio was inspired by the ancient Greeks' experimentation with ideal proportion. Whether it was math, science, politics, physical appearance, or art, they strove for perfection. The ratio that resulted, 1:1.62, was considered the perfect rectangle. Try checking the dimensions of your library book or credit card, and you will see we still adhere to these measurements. If you try using the formula, you might be surprised at how well it works.
Another standard of composition is the rule of thirds. This is a concept that works extremely well, and is easy to try. You just divide your canvas into thirds, both horizontally and vertically. Place your main elements along the lines or at the juncture of two lines. This creates a strong design that tells the eye exactly where to go. It can become formulaic however, if you aren't careful.
Controlling how the viewer sees your painting will make your message more powerful. One of the easiest ways to do this is with the use of implied lines. These aren't outlines necessarily, but the contrast of color that pulls the eye up, down, or sideways until it meets another line that is equally strong. The better you get at this, the more powerful your paintings will become.
Contrast is another effective way to control the way a viewer interacts with your subject matter. It is called by many names, and artists have become revered by their mastery of the technique. In its simplest form, you put one color such as black against another, at the other end of the color spectrum, such as white, and the eye will automatically go to the white. You should try using this technique at your painting's focal point and see how well it works.
A common mistake amateur painters make is to place every element either vertically or horizontally. This is probably the easiest way to put a subject on canvas, but it's not always the most interesting. It is okay to set an element off balance in your work. It creates movement and drama. You can try doing it both ways and see which works best.
If you have plenty of time to indulge your new hobby, you should try out all kinds of compositional strategies. Some will work for you and others won't. It doesn't really matter if you are satisfied with the results.
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